VOL. I · NO. 1 ⟨ REH-VAH-SAY ⟩ SPRING MMXXVI · NEW YORK
RÊVASSER
The Interior Edition — a quarterly broadside.
FROM THE FOUNDER · ON THE FOLD · DEPARTMENTS PRINTED IN AN EDITION OF 600 · SENT WITH EACH FIRST GARMENT NOT FOR RESALE · KEEP OR DISCARD
FROM THE FOUNDER
On the question of why we print at all.
A short editorial on the brand that ships paper alongside its garments — and refuses, politely, to call it marketing.

We are aware this is unusual. A label, in the year 2026, sending a printed broadside with each first garment. There are perfectly good reasons not to. Postage has tripled. Press time is for poets and obituaries. The customer who orders a shirt does not need to be informed about its making, only its fit.

And yet — we print. Not because the garment is incomplete without explanation. The garment is complete. The print is for something else: the moment between unboxing and wearing, when a sleeve is still folded and the buyer is still deciding which kind of person she becomes inside the thing.

The print is the small fixed object she returns to once the garment has become hers — once the question of who she is in it has been answered by the wearing.

— J. L., FOUNDER · WRITTEN IN THE SECOND WEEK OF APRIL

ON THE FOLD
A capsule of four, with notes on what each refuses.
The Spring '26 release. Each garment is described first by what it is not — the shape of the refusal is the shape of the design.

The Obsidian Shirt does not announce itself. Cotton poplin, deep enough to drink light, cut for the second hour of a long conversation. The collar will not stand on its own. This is intentional.

The Bone Trouser refuses to be cream. Cream is the color of restraint pretending; bone is restraint that has stopped pretending. Flat front. Pleat at the back of the knee. Hidden hook closure — the small dignity of a garment that does not interrupt itself.

The Vermilion Scarf is the only voice. Hand-loomed wool, one shade only, sized to wrap twice. It is what the wardrobe wears when the wardrobe has nothing to say but is unwilling to be silent.

The Smoke Cardigan is the cardigan after the cardigan. Worn over the shirt, under the coat, kept in the bag for the second café. We are not yet sure if it is grey or violet. We have stopped trying to settle the question.

DEPARTMENTS
PATTERNS
Pattern 008 — the Obsidian — was cut six times before the side seam stopped reading as apology. Filed in the Pattern Archive, sleeve M, drawer 3.
PROVENANCE
The bone poplin is woven in Toscana by a mill we are not yet at liberty to name. The mill, in turn, is at liberty not to name us. This is the right kind of agreement.
PHARMACY
A note arrived from a wearer last month: "I wore the shirt to the appointment and the doctor asked what was different. I did not answer." Filed under active ingredients.
LETTERS
Three letters this season. Two answered in this edition; the third, longer, will appear in summer. If your letter is here, the brand has read it twice.
CORRECTIONS
The winter broadside listed the Cream Trouser as "off-white." It is not. Cream is its own argument.
RÊVASSER LLC · NEW YORK · 2026 EDITED BY THE FOUNDER · PRINTED ON 90GSM CREAM NEXT EDITION · SUMMER MMXXVI ALWAYS YOU, ANEW